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The Donbas Sniper: When the Enemy Isn’t 20 Metres Away

Sniper movies usually follow a fairly simple formula: an exceptional marksman, impossible shots, and a final duel against another specialist. Sniper: The White Raven, released in Spain as The Donbas Sniper, attempts to take a different path. 

The film is set during the 2014 Donbas War and follows the story of Mykola, a physics teacher and pacifist who becomes a sniper after losing his wife during the conflict. What makes the story particularly interesting is that the screenplay was not born solely from the imagination of its writers. It is inspired by the real experiences of Mykola Voronin, one of the film’s screenwriters, who was also a teacher before joining the Ukrainian Army. 

One of the most interesting aspects is that filming began before the large-scale Russian invasion of 2022. The military scenes were shot in real training facilities in Ukraine and featured members of the Ukrainian National Guard, as well as authentic military vehicles and equipment. Around one hundred soldiers took part in some of the larger sequences. 

Unlike many Western sniper films, the protagonist is not a professional soldier from the start. A significant part of the movie focuses on his transformation, his sniper training, and the importance of seemingly non-military skills such as physics and range estimation in the work of a sniper. 

Another striking detail is the lead actor himself, Pavlo Aldoshyn. After the film’s release and following the Russian invasion of 2022, Aldoshyn joined the Ukrainian military and went on to serve as a sniper on several fronts of the conflict. A coincidence that makes his performance even more remarkable in retrospect. 

The film also avoids portraying the sniper as a flawless machine. Much of the running time revolves around observation, patience, and psychological strain. In fact, many of the most tense moments occur not when someone pulls the trigger, but during the long wait beforehand. 

That does not mean the film is free from controversy. As with many productions set during recent conflicts, the story is told from a clearly Ukrainian perspective and has generated debate precisely because of that particular view of the conflict.